In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms defined beneath a plain tee. On stage, dancers can appear as powerful deities, yet frequently offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. With delicate features and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Rise to the Top
Now 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has relished taking on meaty dramatic roles, particularly the psychological angst found in Kenneth MacMillan's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming featured appearance is as himself, in an "Evening With" event designed to offer intimate insights into a performer's art. He will guide the crowd through a part, showing his mental workflow during execution. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the toughest from a skill perspective," he notes.
The Psychological Struggle and After the Show Feelings
What about following a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel embarrassed later. After Mayerling I'm always like: God, what must people think?"
In person, Ball is reflective, mild-mannered, and prone to laugh at himself. Yet a dance maker previously observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."
Formative Motivations and Creative Inspirations
His determination stemmed from youthful experiences. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.
An upcoming endeavor is making his own choreography. For Ball, "there's nothing wrong with." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, music, and painting.
Close-Up Dance and Personal Dynamic
He also favors presenting dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually matched on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."
On Social Media and Bodily Perception
On Instagram, fans can see clips from his projects and photos that showcase a sculpted physique. Does he care that the response can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "desperate for success." Has it met his expectations? "I feel very aware of how life is a separate thing to the dreams you made as a child," he reflects. He likely has about decade of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."